Scott is also a longtime writer, blogger and trainer about post-production and the technology behind it having maintained The Editblog for over a decade. With over 15 years as an editor, working in a market like Nashville has allowed Scott the opportunity to work on a wide range of projects with many different kinds of post-production technology. 10 Class Video: h264, yuv420p, 1440x900 30fps Audio: aac, 44100 Hz, 2 ch 4.3 GB Genre: eLearning Language: English. Scott Simmons is a freelance editor in Nashville, Tennessee working on many different types of projects ranging from music videos to corporate and documentary to commercials to reality television to web content. FXPHD - UNR202 Production in Unreal Engine 4. The 204 course digs much deeper into many different editing, effects, audio and output options that are still relevant in Premiere Pro 2017. If you're new to Adobe Premiere Pro CC, it is recommended you first take PRM204 as there are many techniques that have changed very little from Premiere Pro CC 2014 to 2017. Culture and entertainment Music and instruments Stage, studio and DJ equipment Microphones Other microphones Microphones. This includes setting up custom proxy presets using Adobe Media Encoder, attaching, switching and editing with lower resolution proxy edit files. This lesson is all about the Proxy workflow that is now built into Adobe Premiere Pro.

We take an in-depth look at several of the biggest features that have been integrated into Premiere Pro in the last several years while also going over some of the smaller tools, features, preferences and interface enhancements. Microphone PRM205 BLOW - Looking for this Youll find it on GB. Editorial techniques covered in this lesson includes the use of Search Bins and the Source Monitor Timeline. This course will take a look at Adobe Premiere Pro 2017 digging into many of the features that Adobe has added to this non-linear editing tool since we last looked at Premiere with the 2014 release in PRM204.

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